![]() Prior statements from the American Heart Association (AHA) have dealt with primary 1 and secondary stroke prevention. Epidemiological studies have helped to identify the risk and determinants of recurrent stroke, and clinical trials have provided the data to generate evidence-based recommendations to reduce this risk. The number of people with TIA, and therefore at risk for stroke, is estimated to be much greater. ![]() Among the estimated 700 000 people with stroke in the United States each year, 200 000 of them are among persons with a recurrent stroke. Survivors of a transient ischemic attack (TIA) or stroke have an increased risk of another stroke, which is a major source of increased mortality and morbidity. Customer Service and Ordering Information.Stroke: Vascular and Interventional Neurology.Journal of the American Heart Association (JAHA). ![]() Circ: Cardiovascular Quality & Outcomes.Arteriosclerosis, Thrombosis, and Vascular Biology (ATVB).The overall result is a loosely biographical album that narrates the Blind Boys' history from beginning to present. " just wanted to write some tunes informed by the Blind Boys' extraordinary lives," Leventhal says in a statement, recalling how tales from original members Jimmy Carter and Clarence Fountain inspired the three songs he and Cohn wrote for Almost Home. What unites these collaborators is a desire to give the Blind Boys the chance to share their remarkable story, from their early days in late-'30s Alabama through their participation in the civil rights movement and into the present. "I Kept On Walking" (Cris Jacobs), produced by Steve Berlin."Train Fare" (Valerie June), produced by Chris Goldsmith."Singing Brings Us Closer" (Phil Cook), produced by Vance Powell and Charles Driebe."Let My Mother Live" (John Leventhal/Marc Cohn/Jimmy Carter), produced by John Leventhal.Today, you can hear a four-song sampler from Almost Home, representing the album's all-star slate of songwriters and producers: In the latter chapters of the group's career it has worked with Justin Vernon, Mavis Staples, Willie Nelson, the Preservation Hall Jazz Band and many more, stretching its repertoire while remaining centered in a commitment to faith and close harmony. The record's hyper-collaborative spirit is fitting, since part of what's kept the Blind Boys' sound vital is their openness to inspiration from every corner of Americana's big tent. 18, finds Blind Boys of Alabama performing songs written for the group by the likes of Valerie June, Megafaun's Phil Cook, John Leventhal and Marc Cohn. Yet the singers who make up Blind Boys of Alabama have always risen to the challenge with utter grace - and the group's forthcoming album, Almost Home, places a capstone on that history.Īlmost Home, out Aug. No doubt that hill is even harder to climb when you're working within a tradition like gospel, with its well-loved, and well-worn, harmonic and lyrical conventions. When you're a group that's performed together for more than seven decades, it might be a daunting task to keep crafting music that feels fresh. Blind Boys of Alabama's new album, Almost Home, will be released Aug.
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